摘 要

“扬州八怪”由来已久，在我国清中期，有一群活跃于扬州且作品风格类似的书画家，人们称之为“扬州八怪”或扬州画派。较为公认指：金农、郑燮、黄慎、李鱓、李方膺、汪士慎、罗聘、高翔。作为当时活跃在扬州且极富传奇色彩的扬州八怪，正是因为他们有别于正统的画风以及与传统截然不同的收益方式，使得他们在清代绘画史研究方面尤受青睐。

在我国传统绘画中，绘画、书法以及篆刻三部分有的结合十分重要 ，追溯至元代，就有赵孟頫、王冕等著名的书画家开始篆刻，把印章和书画相结合。到明、清时期,篆刻发展得更为迅速全面，逐渐衍生出了各种流派。不管官方文人还是布衣文人，或多或少都会将篆刻艺术的“金石气”融入到自己的绘画艺术中去。扬州八怪的金农与高翔无论在绘画篆刻还是书法上都有着自己独特的造诣，金农凭借着其丰厚的涵养，将金石形象融入书画，创造出了意义深刻、笔墨拙扑的独特风格。高翔的山水绘画虽师承石涛等名家，却能自出新意，晚年左手作画更能别出心裁，其篆刻取法程邃，构思谨严，不以纤巧取悦于人。金农与高翔二人互为好友，在艺术交流上，除了绘画风格的交流之外，书法，篆刻风格也同样受到相互的影响，金农绘画风格的转变也是在接触了高翔与汪士慎的梅花之后开始。

关键词：扬州八怪；金农；高翔；印章

Abstract

 "Yangzhou eight eccentrics" has a long history, in our country, in the middle of the qing dynasty and a group of active in yangzhou style similar artists, people call it "yangzhou eight eccentrics" or yangzhou school. More recognized refers to: ", Zheng Xie, Huang Shen, lee shan, Li Fangying, Wang Shishen, qing-era, gaoxiang. As the active in yangzhou and legendary yangzhou eight eccentrics, it is because they are different from the orthodox style and very different from the traditional way of earnings, making them especially popular in qing dynasty painting research.

In traditional Chinese painting, painting, calligraphy and seal cutting some combined with three parts is very important, back to the yuan dynasty, there are Zhao Mengzheng, tiara and other famous artists began carving, the seal and calligraphy and painting By the Ming and qing dynasties, the seal was developed in a more rapid and comprehensive way. Whether the official scholar or the author of the cloth, more or less will incorporate the "jinshi qi" in the art of engraving art into his art of painting. Yangzhou eight eccentrics "and in both on the painting, seal cutting and calligraphy have their own distinct attainments," with its rich self-restraint, blend in stone image of calligraphy and painting, created the unique style of more profound, ink pad. In landscape painting masters is over, etc, but it can from the new, old age left hand painted more unique, its determining the seal cutting Cheng Sui, idea exactly, slim and not to please people. "And in the two mutual friends, on the art exchange, in addition to painting in the style of communication, calligraphy, seal cutting style is also influenced by each other," painting style in the shift is also in contact with Wang Shishen began after the plum blossom.

Key Words：Eight Eccentric Artists in Yangzhou；Jinnong；Gaoxiang；Seal

目 录

第1章 绪论 1

第2章 浅谈扬州八怪 2

1. “扬州画派”的兴起 2

2. “诗书画印”的发扬 2

第3章 扬州八怪的金农与高翔 4

1. 高翔及其印章艺术 4

1.1高翔的印章艺术 4

1.2高翔刻章艺术在绘画作用中的应用 6

2. 金农及其艺术风格 7

2.1金农的绘画艺术 8

2.2金农的印章艺术 9

第4章 高翔的刻章艺术对金农绘画风格的影响 11

1. 金农与高翔艺术风格的共同点-----提款与印章 11

2. 高翔的刻章艺术对金农绘画中“金石气”的影响 12

3.高翔刻章艺术对金农绘画形式结构的影响 13

第5章 总结 17

参考文献 18

致 谢 19

第1章 绪论

扬州八怪做为扬州画派的代表人物，其独特的绘画风格，一度受到国内外中国传统绘画研究者的青睐，不仅如此，扬州八怪的画家对于中国传统绘画中“诗书画印”基本格局的发扬也起到不可磨灭的作用。金农与高翔都是扬州八怪中诗书画印的能手，金农作为扬州八怪的代表人物，更是将诗书画印的艺术风格融汇自我独特的艺术理解，表现的淋漓尽致。金农高翔二人相交甚好，两人在艺术创作中也都有相互交流，善于刻章的高翔曾多次赠与金农印章，金农在绘画创作中使用的印章有很多都是出自高翔之手。将诗书画印完美结合的金农，其绘画风格的养成，也与高翔的印章艺术有所关联。

第2章 浅谈扬州八怪

1. “扬州画派”的兴起

三百年前的清朝初期，在扬州地区出现了一批艺术“怪人”——扬州八怪。这八怪的具体人物在历史上说法不一，一说金农、汪士慎、黄慎、郑燮、李禅、李方膺、高翔、罗聘八人（《心匝钵罗室书画过目考》）。一说金农、汪士慎、黄慎、郑燮、李禅、罗聘、高凤翰、阂贞（《中国画学全史》）。一说金农、黄慎、郑燮、李禅、李方膺、高凤翔、边寿民、杨法（《无隐堂集》）。故此，“扬州八怪”一词也可以理解为“扬州画派”，而之前所提到的这几位，便是扬州画派的代表，他们所表现出来的艺术风格便是扬州画派的艺术风格。