论文总字数：11286字

摘 要

怀素代表作《自叙帖》活泼飞动，笔下生风，是一篇奔腾激荡的抒情之作。本文通过对《自叙贴》字内字外空间分立、融合关系的探究，浅析其对于作品节奏、章法、气韵的影响，以期对今后学习怀素有一定的借鉴作用。

关键词：怀素 自叙帖 字内空间 字外空间 分立 融合

Abstract:

The Huai Su masterpiece "in post" active flying, wind students", is a Pentium surging lyrics. Based on the "autobiography" word word posted on outer space division, fusion, analysis of its impact on the work rhythm, composition, rhythm, with a view to the future study of Huai Su has certain reference function.

Keywords: HuaiSu lt;ZiXutiegt; Word space inside Word space outside Discrete

Fusion

目 录

绪论——问题的提出···············································6

1.字内空间与字外空间概述·········································6

1.1“计白当黑”的提出··········································6

1.2 “字内空间与字外空间”的提出······························7

2.怀素《自叙帖》字内、字外空间分立考察···························8

2.1相对封闭的字内空间考察·····································8

2.2相对独立的字外空间考察·····································9

2.2.1相对独立的字间空间考察································9

2.2.2相对独立的行间空间考察·······························11

2.3字内与字外空间分立对作品产生的影响························11

2.3.1字内与字外空间分立对作品结字产生的影响···············12

2.3.2字内与字外空间分立对作品节奏产生的影响···············12

2.3.3字内与字外空间分立对作品章法产生的影响···············13

1. 怀素《自叙帖》字内、字外空间融合考察·························14

3.1向外发散的字内空间考察····································14

3.2向内渗透的字外空间考察····································15

3.2.1向内渗透的字间空间考察·······························15

3.2.2向内渗透的行间空间考察·······························16

3.3字内与字外空间融合对作品产生的影响························17

3.3.1字内与字外空间融合对作品结字产生的影响··············17

3.3.2字内与字外空间融合对作品节奏产生的影响··············17

3.3.3字内与字外空间融合对作品章法产生的影响··············18

1. 结论··························································19
2. 注 释·························································21

6.参考文献······················································22

7.致 谢·························································23

绪论:问题的提出

草书发展到盛唐，呈现出淋漓飞动，富于浪漫精神的面貌。怀素是其中的代表，在流动中追求笔法、节奏、线条、结构的丰富变化，其草书辗转翻侧、连绵不断有迅雷不及掩耳之势。怀素《自叙帖》章法布局十分新颖，极具视觉冲击力，被视为唐代草书代表作之一，本文探究该作品字内空间与字外空间的分立融合现象，以期对学习者有所助益。

1、字内空间与字外空间概述

空间,在字典里的注释是“一切物质存在和运动所占的地方”。笔墨在纸上挥毫运动成为书法,在下笔之前,纸上没有任何点划,则没有任何“物质”产生,而一旦落笔,就产生了点划这种“物质”，随即也就产生了空间。好比一张纸被一条长横分隔成了上下两个部分,这与之前没有一横时的纸面是截然不同的,而字是点线的组合,不同的点线按照一定的方法组合成单个字时,这张纸上的空间感觉就进一步发生了变化。点线少的字,空间关系简单,点线多的字,则空间关系就复杂一些。多个字组组成行列,多个行列组成篇幅,加上印章就形成了完整的作品。行有行的空间,包括字与字之间的分割的关系,篇有篇的空间,包括行与行的之间分割的关系。

1、1“计白当黑”的提出

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